Narrative inquiry: multiple lenses, approaches, voices (paper)

Notes from the Handbook of Qualitative Research


Contemporary narrative inquiry

I begin by outlining the a set of five analytic lenses through which contemporary researchers approach empirical material.(p. 656)

Analytic lenses

First, narrative researchers treat narrative - whether oral or written - as a distinct form of discourse. Narrative is a retrospective meaning making - the shaping or ordering of past experience. Narrative is a way of understanding one's own and other' actions, of organizing events and objects into meaningful whole, and of connecting and seeing the consequences of actions and events over time. (p. 656)

Second, narrative researchers view narratives as verbal action - doing or accomplishing something. Among other things, narrators explain, entertain, inform, defend, complain, and confirm or challenge the status quo. Whatever the particular action, when someone tells a story, he or she shapes, constructs, and performs the self, experience, and reality. When researchers treat narration as actively creative in this way, they emphasize the narrator's voice. (p. 567)

Third, narrative researchers view stories as both enabled and contained by a range of social resources and circumstances. These include the possibilities for self and reality construction that are intelligible within the narrator's community, local setting, organizational and social memberships, and cultural and historical location. While acknowledging that every instance of narrative is particular, researchers use this lens to attend to similarities and differences across narratives. (p. 657)

Fourth, narrative researchers as socially situate interactive performances - as produced in this particular setting, for this particular audience, for these particular purposes. A story told to an interviewer in a quiet relaxed setting will likely differ from the "same" story told to a reporter for a television news show, to a private journal that the writer assumes will never be read, to a roomful of people who have had similar experiences, to a social service counsellor, or to the same interviewer at a different time... ...a narrative is a joint production of narrator and listener, whether the narrative arises in naturally occurring talk, an interview, or a fieldwork setting. (p. 657)

Fifth, narrative researchers, like many other contemporary qualitative researchers, view themselves as narrators as they develop interpretations and find ways in which to present or publish their ideas about the narratives they studied... ...This means the four lenses just described make as much sense when applied to the to the researcher as they do when applied to the researched... ...narrative researchers are likely to use the first person when presenting their work, thereby emphasizing their own narrative action.(p. 657)

Diverse approaches

Without claiming to be comprehensive or exhaustive in my categories, I briefly outline five major approaches in contemporary narrative inquiry. (p. 658)

Some psychologists have developed an approach that focuses on the relationship between individuals' life stories and and the quality of their lives, especially psychosocial development. In addition to gathering extensive life stories, these researchers sometimes use common psychological tests. (p. 658)

A second approach has been developed by sociologists who highlight the "identity work" that people engage in as they construct selves within specific institutional, organizational, discursive, and local cultural contexts. Unlike the psychologists just described, who conceptualize the life story as distinguishable from the - yet having an impact on - the life, these researchers often treat narratives as lived experience. Thus they are as interested in the hows of story telling as they are in the whats of storytelling - in the narrative practices by which storytellers make use of available resources to construct recognizable selves. (p. 658)

The third approach is also sociological. Here, narrative researchers share the interest in the hows and whats of storytelling, but base their inquiry on extensive interviews about specific aspects of people's lives rather than on conversations in specific organizational contexts. These researchers are interested in how people communicate meaning through a range of linguistic practices, how their stories are embedded in the interaction between researcher and narrator, how they make sense of personal experience in relation to culturally and historic specific discourses, how they draw on, resist, and/or transform those discourses as they narrate their selves, experiences, and realities. (p. 659)

Anthropologists have led the way to a fourth approach to narrative inquiry. Some call this approach to narrative ethnography, which is transformation of both ethnographic and life history methods. Like traditional ethnography, this approach involves long-term improvement in a culture or community; like life history, it focuses heavily on one individual or on a small number of individuals. What makes the narrative ethnography distinct is that both the researcher and the researched "are presented together within a single multivocal text focused on the character and process of human encounter" (Tedlock, 1992, p. xiii) (Chase, 2005, p. 659)

A fifth approach t narrative inquiry is found in autoethnography, where researchers also turn the analytic lens on themselves and their interactions with others, but here researchers write, interpret, and/or perform their own narratives about culturally significant experiences. (p. 660)

Chase, S.E. (2005) Narrative inquiry: multiple lenses, approaches, voices. In Denzin, N.K. & Lincoln, Y.S. (Ed) The SAGE handbook of qualitative research 3rd Edition, Sage Publications, California, USA.

Tedlock, B. (1992) The beautiful and the dangerous: encounters with he Zuni Indians. New Press, New York.